By David Sarno & Maria Russo
Over the last half-decade, enterprising Web auteurs have created — and we’re ballparking, but this feels right — hundreds of original Internet TV series. There are production companies that churn them out, websites that warehouse them, and vast armies of amateurs who own a camera and aren’t afraid to use it. But from that crowded landscape of Web TV shows, who among us can name more than, we don’t know, two? Even the standouts — “Dr. Horrible’s Sing-Along Blog,” “Pink,” “You Suck at Photoshop” — fade quick: When an entire season of a Web show adds up to fewer minutes than one episode of “True Blood,” the chance to make a lasting impression is fleeting indeed.
As time drags on and the genre remains chronically hitless, it’s fair to ask if perhaps the bite-size Web show is media’s version of Australopithecus afarensis, the short-lived hominid species that died off 3 million years ago to make way for humans.
So in 30 years, when Google archaeologists are exploring the era when television mated with the Internet, maybe they’ll dig up the digital fossils of these shows and have a quick laugh. Which is not to say there’s nothing good in Web TV — only that the genre itself might have evolved a little awkwardly. Its stumpy three-minute duration may simply be too short for it to survive. Still, some of the webisodes’ best traits will be no doubt be passed along on to future generations of this theoretical Intervision. And other traits won’t.
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Shoes, guys, gadgets
As a plugged-in tech world personality — she Twitters, she blogs, she gets photographed at industry functions — Julia Allison has come to symbolize “Internet microcelebrity,” the condition of being extremely well known within a limited group of people (in Allison’s case, her blog gets about 30,000 page views a day, and about 3,000 people have made the more serious commitment to following her moment-to-moment activities via her Twitter feed). When Wired did a cover story in August on Allison and how she’s engineered her singular kind of fame, some expressed outrage that the magazine was even paying attention. (“Julia Allison is a terrible example of self-promotion, a warning of the missteps of public relations … WIRED ought to be ashamed,” as one blog put it.)
And so the natural next step is her own Web series, which launches Wenesday and is called “TMI Weekly.” But before you accuse her of being a social media climber, Allison swears she’s not in the market for a TV deal. On the phone Monday, the New York-based Allison insisted that the three-minute, three-times-a-week talk show was not some kind of steppingstone to Hollywood. “I’ve done TV,” Allison said on a conference call with her co-hosts and friends Meghan Asha and Mary Rambin. “I did 400 segments over the last year and a half on every major network. But I get so much more out of this! I can say what I really think.”
As long as what she really thinks fits into the show’s three-minute format, that is. The show, produced by Web network NextNewNetworks is being marketed as “‘The View’ meets ‘Digg Nation,’” the influential technology focused talk show on rival Web network Revision3. Inevitably, all involved with “TMI Weekly” also refer to “Sex and the City” to describe the demographic they’re aiming at — but it’s an iPhone/Twitter era, post-television “Sex and the City” crowd. In Allison’s world, there are no moody Carrie Bradshaw-esque stabs at literary depth, no storytelling. She and her friends cut right to the chase: the shoes, the guys, the gadgets.
Or as Tim Shey, NextNewNetworks’ head of entertainment programming, described the audience, “We see it as an underserved community — young women who aren’t really reached by television. They’re watching a lot of YouTube. They care about style, tech, iPhones — how do they balance their career, their life and their relationship?”
Each episode has a topic (to text or not when you’re stood up for a date?; cool new iPhone apps; is this outfit working?) and the hosts each have an area of focus: dating (Allison), gadgets and tech culture (Asha) and fashion and style (Rambin). Viewers can chime in too, of course, as part of the show’s built-in community.
Unlike “The View,” there are no guests from the outside world, and no debating politics or the issues of the day. “We don’t pretend to be a talk show,” Allison said. “We are a new iteration of that.” Their goal is to be more “real” than traditional TV: “With us when the camera is on and off, you get the same conversation,” Allison said.
That conversation feels a bit airless, though. The three hosts don’t agree on everything, but they seem like slight variations on the same personality: flirty, confident, interested in their topics only to the extent that the topics affect them personally; upbeat and “positive” no matter what. “We want to inspire our demographic to really kind of go outside and create their own lives, create their own destiny, they don’t have to get the MRS degree or work at a job they hate, really the sky’s the limit,” Asha said.
